If the queer riot graphic at the top of the Rebel Dyke facebook page seems familiar to any of my Blog readers, I included it in my 2013 post, One Funeral and a Playlist. It’s based on the front page of a ‘zine called Feminaxe, the result of a hectic all-night lay-out session in 1987. We needed to get it to the printer so we’d have the paper for a Clause 28 march in Manchester. We did most of the typesetting on an Amstrad but these were the days before full-on computer design. Quark was only a creamy cheese our homesick German friends talked about, not the ubiquitous graphics application later replaced by InDesign. So lay-out involved cutting stuff up, laboriously scratching at those incendiary headlines in Letraset, spray-mounting and moving pieces of paper about, having a laugh but also getting grumpy with lack of sleep. And despite our greatest efforts, sticky bits of paper would inevitably be left stuck to the floor.
Those Clash-inspired lyrics with a queer twist came from a song by the Sluts From Outer Space, inspired by a fight with the cops on Downing Street during a Clause 28 march in 1987. Afterwards a few of us ended up revising “White Riot” as we made our way home. Another rewrite we perpetrated was “The Dykes of Brixton”: “You can nick us you can evict us but you have to answer to oh oh the Dykes of Brixton”. Well, I really did love the Clash, and still do.
Beyond the parodies, our own songs included the (anti)bicentennial in Australia, more stuff about Clause 28, Restart interviews (forerunner to the benefit sanctions regime). And sex of course, with our finale number “Wild, Hot and Wet”.
Our biggest gig took place at East London Polytechnic in Stratford, where we supported punky-reggae band Culture Shock. As I watched them, I was very impressed that the bass player played with three fingers. Oh yes, did I forget to mention that I played bass?
I recently saw that Culture Shock has been gigging again. Not so for the Sluts, I’m afraid. We split sometime in 1989 due to the proverbial personal and musical differences, or perhaps it was because some of us moved out of London. Whatever… We did have a brief reunion for a couple of numbers at a 1990 gig by Latin/Spanish band Los Lasses, which involved our drummer Jill.
There are no YouTube videos of the Sluts, and our recordings are just on cassette – I have one from a very chaotic rehearsal. It is currently being digitised but I expect to shudder when I hear it again! But I do have a photo of us performing in front of the wonderful banner we used for marches and gigs.
Unfortunately, the banner no longer exists. It was cut in half when someone at the squat where Feminaxe had an ‘office’ (an empty housing benefit office next to what is now the Hootenanny pub) used it for a curtain when she ran a rave. If I recall (and I could be wrong so many years after) it was a paid event. I regarded this as our own countercultural version of the backlash and creeping conservatism of the 1990s – OK now to use communal space in squats to make money, was it? So we had our disagreements; it wasn’t all sisterhood and sweetness. But maybe we’re getting out of the time period covered in the film…